Another summer, another terrific small-scale musical revival from the Watermill,
directed by Craig Revel Horwood. Based on the true story of Pools winner Viv Nicholson,
this rags-to-riches – and back again – tale is Cinderella with a twist, a morality
tale for our own spend-today-and-pay-tomorrow age. Steve Brown and Justin Greene's
1998 musical is big and brassy like its heroine, Viv, the Yorkshire miner's wife
whose husband Keith scooped in 1961 the equivalent of more than £5m. It works well
here as a chamber piece performed by actor-musicians. The sense that we're watching
a memory play is heightened: in the final refrain of Roll Back the Years, the elderly
Viv reaches back towards her past as if remembering everything she's lost.
Having two Vivs, the older and younger versions, constantly on stage works particularly
well, and Brown's score – mixing styles and influences from English folk to popular
music of the period – is a pleasure. I always wondered why this show didn't enjoy
greater West End success. On second viewing, I feel that may be due to its linear
structure, and that, while it has some terrifically upbeat moments – climaxing in
the closing first act number, Spend Spend Spend! – the pungent but downbeat second
half doesn't have the feelgood factor that West End musicals demand.
Nonetheless, it pulls the heartstrings, and this revival's pocket-sized nature magnifies
the emotion and plays the comedy cannily, even if the design is overbusy. In a strong
cast, the cracked maturity of Karen Mann's older Viv provides an aching contrast
with Kirsty Hoiles's young Viv, and Greg Barnett is superb as Keith. A little treasure.